https://nova.newcastle.edu.au/vital/access/ /manager/Index ${session.getAttribute("locale")} 5 Shakespeare's Marlowe: the influence of Christopher Marlowe on Shakespeare's artistry (book review) https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:4478 Wed 11 Apr 2018 17:20:13 AEST ]]> Word vs image: cognitive hunger in Shakespeare's England (book review) https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:4476 Wed 11 Apr 2018 14:37:56 AEST ]]> Introduction. https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:14591 Wed 11 Apr 2018 10:28:15 AEST ]]> A glossary which evaluates a set of verbal evidence proposed in support of Thomas Nashe’s co-authorship of the late sixteenth-century play, Dido, Queen of Carthage https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:37004 Dido, Queen of Carthage, edited by Ruth Lunney, Revels Plays Series, Manchester University Press; An essay: “Who Wrote Dido, Queen of Carthage?”, by Ruth Lunney and Hugh Craig. The extent of this dataset is One PDF file; 62.2KB, 20 pages, 7400 words.]]> Wed 05 Aug 2020 12:38:14 AEST ]]> Speaking to the audience: direct address in the plays of Marlowe and his contemporaries https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:10552 Sat 24 Mar 2018 08:10:18 AEDT ]]> Recent studies in John Lyly (1990-2010) https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:17173 Sat 24 Mar 2018 08:06:31 AEDT ]]> Christopher Marlowe: poet and spy (book review) https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:5142 Sat 24 Mar 2018 07:49:43 AEDT ]]> Marlowe's Edward II and the early playhouse audiences https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:6621 Sat 24 Mar 2018 07:46:17 AEDT ]]> Dido, Queen of Carthage https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:23108 Dido, Queen of Carthage has always been something of an orphan child. In 1995 Douglas Cole could describe it as "relatively unnoticed," but that label would be less appropriate now. The past twenty years or so, since that date especially, have seen articles, chapters, and substantial mentions increase in number until they total more than in the preceding century. Dido merits more attention because it raises distinctive issues for scholarship and commentary even as it offers a different vantage point on Marlowe's other writings. This chapter will discuss where we are with Dido under five headings: the 1594 title page; talking about sources; the shift in critical attention from love and duty to gender and politics; matters concerning performance; and future possibilities.]]> Sat 24 Mar 2018 07:15:29 AEDT ]]> John Lyly https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:15612 Mon 17 Nov 2014 14:22:48 AEDT ]]> 'The teares of ten thousand spectators': Shakespeare's experiments with emotion from Talbot to Richard II https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:23109 Henry VI, Part 1.]]> Mon 09 Apr 2018 09:13:59 AEST ]]> Marlowe and the popular tradition: innovation in the English drama before 1595 https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:3800 Fri 01 May 2015 09:06:13 AEST ]]>