/manager/Index ${session.getAttribute("locale")} 5 The magician in the world: becoming creativity and transversal communication /manager/Repository/uon:7247 Sat 24 Mar 2018 10:44:21 AEDT ]]> Deleuze as a philosopher of education: affective knowledge/effective learning /manager/Repository/uon:7325 Sat 24 Mar 2018 08:35:40 AEDT ]]> Becoming-language/becoming-other: whence ethics? /manager/Repository/uon:6309 Sat 24 Mar 2018 07:49:04 AEDT ]]> Deleuze's new image of thought, or Dewey revisited /manager/Repository/uon:6307 Sat 24 Mar 2018 07:49:00 AEDT ]]> Experiencing Deleuze /manager/Repository/uon:6308 Sat 24 Mar 2018 07:49:00 AEDT ]]> (Pre)facing Deleuze /manager/Repository/uon:6724 Sat 24 Mar 2018 07:46:03 AEDT ]]> Knowledge in action: towards a Deleuze-Habermasian critique in/for education /manager/Repository/uon:6725 Sat 24 Mar 2018 07:46:02 AEDT ]]> Learning from experience: Dewey, Deleuze, and "becoming-child" /manager/Repository/uon:6348 Sat 24 Mar 2018 07:45:23 AEDT ]]> Body-building-becomings /manager/Repository/uon:24784 A Thousand Plateaus: Capitalism and Schizophrenia (1980). For them, the architect is a hegemonic figure whose detached operational approach differs from that of the artisan who discovers and responds to ‘real-life’ circumstances as they are directly encountered within project settings. Through reference to writings on the body and space by specific feminist philosophers, this paper draws attention to an artisanal mode of operation associated with architecture in which the body is deliberately enfolded within architectural production and consumption. An explication of my own comportment within the architectural processes of two self-initiated collaborative projects enables the relation between the two modes of operation – architectural and artisanal – to be recast within the very body of the architect herself.]]> Sat 24 Mar 2018 07:14:06 AEDT ]]>