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Your selections:
The Neutral Mask: its position in Western actor training, and its application to the creative processes of the actor
- Arrighi, Gillian Anne
Masks as a method: Meyerhold to Mnouchkine
- Roy, David
Reimagining 'role' and 'character': an approach to acting training for role-play simulation in the tertiary education setting
- Arrighi, Gillian, Irvine, Clare, Joyce, Brian, Haracz, Kirsti
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