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Your selections:
Patterns of print: women's textual patronage in the "early" early modern period
- Pender, Patricia
The Critical Fortunes of the Tenth Muse: Canonicity and its Discontents
"A veray patronesse": Margaret Beaufort and the early English printers
Introduction: Gender, Authorship, and Early Modern Women's Collaboration
- Pender, Patricia, Day, Alexandria
Editing early modern women in the digital age
- Smith, Rosalind, Pender, Patricia
I'm Buffy and you're history: Buffy the Vampire Slayer and contemporary feminism
A copy of a copy of a copy: framing the double in Fight Club
- Kinder, Elizabeth, Pender, Patricia
Dispensing quails, mincemeat, leaven: Katherine Parr's patronage of the paraphrases of Erasmus
Introduction: early modern women's texts: production, transmission and reception
- Pender, Patricia, Smith, Rosalind
Material cultures of early modern women's writing
Abram E. Cutter's archive of 'Bradstreetiana' in the Boston Public Library
Afterword: reading early modern women and the poem
Rethinking authorial reluctance in the paratexts to Anne Bradstreet's poetry
Early modern women's writing and the rhetoric of modesty
Framing the Reformation woman writer: John Bale's prefaces to Anne Askew's Examinations
From paratext to epitext: mapping the authorial apparatus in early modern women's writing
The ghost and the machine in the Sidney family corpus
Andrew and the homoerotics of evil
Between 'Sygne' and 'Substance': rhetorics of figurality in the 'Examinations of Anne Askew'
Reading Bale reading Anne Askew: contested collaboration in The Examinations
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