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Baudelaire’s Paris Looking at Africa, and Vice Versa

Bypassing Paris, Horizontally and Vertically

Vanilla and/or Vanilla Twist: Political Representation and Equilibrium in Assault on Precinct 13

Vanilla Twist Again: Passing, Loitering, and Intertextual Equilibrium in John Carpenter’s Assault on Precinct 13

Elles se rendent pas compte intertextuel et paratextuel: un Chinetoque peut-il en cacher un autre?

Telling Tales: The True Story of The Handmaid’s Tale

An age of contradiction, or who killed Colonel Protheroe?

As sedate as swans: the Parisian side of Jean-Paul Sartre's La Nausée

Charles Baudelaire's Paris spleen: re-presenting Paris

Introduction: remembering in Paris and Paris as remembering

Looking (back) at the Moon in Parisian Cinema

Murder most incidental: Arthur Upfield’s death of a Lake (1954)

Primates in Paris and Edgar Allan poe's paradoxical commitment to foreign languages

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

"Tiret ou (ne) pas tiret? la double auctorialite chez San-Antonio et Vernon Sullivan"

Beginnings and Endings

Conclusion: Boris Vian, Vernon Sullivan et autres Pierre Bayard: relire Vian à la lumière de la critique policière

Homogenizing the radical, or vice versa? adapting (to) The Murder of Roger Ackroyd

Introduction: Boris Vian, polymathe centenaire et intemporel

Introduction: loitering on

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