Showing items 1 - 20 of 117

Your selections:

In olden days a glimpse of stocking: fashion, fetishism and modernity in Boris Vian's L'Ecume des jours

"Je Suis comme une truie qui broute": une lecture pomologique de Truismes de Marie Darrieussecq

Just a dream: a partial re-solution of Agatha Christie's 'And then there were none': A case of almost, but not quite, getting the job done

On moving and (inter) disciplinarity: thinking about Australian French studies in the active voice

Changing the tide and the tidings of change: Robert Drewe's The Drowner

Boris Vian: a life in paradox

Mercutio's dance: aspects of inversion in Luhrmann's film William Shakespeare's Romeo + Juliet

Paris as rewrite: getting away with it in Léo Malet's XVᴱ arrondissement

Auteur is French for Author, too: Translating Other Afterthoughts Inspired by King Vidor's Duel in the Sun into French Literature

Smoking in Arcadia, or Barry Maitland’s embodied folly: re-opening the case of The Malcontenta

De Cul-de-sac a Piege nuptial: Les avatars d'un texte et de ses paratextes

Vernon Sullivan's alter ego interpretation

Retelling the Vernon Sullivan Hoax, Or What has been Neglected in the Telling: Why People Do Not Care About Elles se rendent pas compte (1950)

Ex uno plures: Global French in, on and of the rue morgue and the orient express

Uprooting the chestnut tree: Nausea today

What does it mean?: contemplating Rita and desiring dead bodies in two short stories by Raymond Carver

Spleen noir: images de Marianne dans les petits poèmes en prose de Léo Malet et Frédéric Cathala

Heads and tails: Apocope, decollation and detective fiction's inherent self-alterity

Film Criticism as Cultural Fantasy: the Perpetual French Discovery of Australian Cinema (book review)

Serializing Sullivan: Vian/Sullivan, the Série noire and the effet de collection

  • Disclaimer
  • Privacy
  • Copyright
  • Contact
  • Deposit