Introduction

- Batty, Craig, Kerrigan, Susan

'Working in communities, connecting with culture': reflecting on u-matic to YouTube a national symposium celebrating three decades of Australian Indigenous community filmmaking

- Davis, Therese, Moreton, Janelle

Generative apogee and elegiac expansion: European film modernism from Antonioni to Angelopoulos

- Ford, Hamish

National identity, the auteur and the Greek world on film

- Glass, Leanne

Australian universities approaches to occupational risk management for screen production

- Kerrigan, Susan, Aquilia, Pieter, Holt, Jill, Oughton, Nicholas

A 'logical' explanation of screen production as method-led research

- Kerrigan, Susan

Still a burning issue: measuring screen production research

- Kerrigan, Susan, Leahy, Gillian, Cohen, Hart

Regional creative screen industries: an examination of SMEs, creative practitioners and screen organisations in Australia's Hunter region

- Kerrigan, Susan, McIntyre, Phillip

Filmmaking as creative practice: assessing creative magnitude and scale

- Kerrigan, Susan

Creative filmmaking processes, procedures and practices: embodied and internalized filmmaking agency

- Kerrigan, Susan, McIntyre, Phillip

Reconceptualizing creative documentary practice

- Kerrigan, Susan

Digital Disruption and Innovation in Distribution: Opportunities for Research-Based Filmmaking in the New Global Screen Ecology

- Maher, Sean, Kerrigan, Susan

Shoestring theory - pragmatism and bricolage in microbudget feature filmmaking

- McBratney, Stuart

The evolution of VFX-intensive filmmaking in 20th century Hollywood cinema: an historical overview

- Venkatasawmy, Rama

Rethinking genre theory for screenwriting practice: using Mikhail Bakhtin's theory of discourse

- Weaving, Simon