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Fans, blockbusterisation, and the transformation of cinematic desire

- Michelle, Carolyn, Davis, Charles H., Hardy, Ann L., Hight, Craig

Pleasure, disaffection, ’conversion’ or rejection? The (limited) role of prefiguration in shaping audience engagement and response

- Michelle, Carolyn, Davis, Charles H., Hardy, Ann L., Hight, Craig

Making global audiences for a Hollywood 'blockbuster' feature film: marketability, playability and The Hobbit: An Unexpected Journey (2012)

- Davis, Charles H., Michelle, Carolyn, Hardy, Ann, Hight, Craig

Framing audience prefigurations of The Hobbit: An Unexpected Journey: the roles of fandom, politics and idealised intertexts

- Davis, Charles H., Michelle, Carolyn, Hardy, Ann, Hight, Craig

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