"A veray patronesse": Margaret Beaufort and the early English printers

- Pender, Patricia

A copy of a copy of a copy: framing the double in Fight Club

- Kinder, Elizabeth, Pender, Patricia

Abram E. Cutter's archive of 'Bradstreetiana' in the Boston Public Library

- Pender, Patricia

Afterword: reading early modern women and the poem

- Pender, Patricia, Smith, Rosalind

Andrew and the homoerotics of evil

- Pender, Patricia

Between 'Sygne' and 'Substance': rhetorics of figurality in the 'Examinations of Anne Askew'

- Pender, Patricia

Dispensing quails, mincemeat, leaven: Katherine Parr's patronage of the paraphrases of Erasmus

- Pender, Patricia

Early modern women's writing and the rhetoric of modesty

- Pender, Patricia

Editing early modern women in the digital age

- Smith, Rosalind, Pender, Patricia

Framing the Reformation woman writer: John Bale's prefaces to Anne Askew's Examinations

- Pender, Patricia

From paratext to epitext: mapping the authorial apparatus in early modern women's writing

- Pender, Patricia, Smith, Rosalind

Gifts that matter: Katherine Parr, Princess Elizabeth, and the Prayers or Meditations (1545)

- Pender, Patricia

I'm Buffy and you're history: Buffy the Vampire Slayer and contemporary feminism

- Pender, Patricia

Introduction: early modern women's texts: production, transmission and reception

- Pender, Patricia, Smith, Rosalind

Introduction: Gender, Authorship, and Early Modern Women's Collaboration

- Pender, Patricia, Day, Alexandria

Material cultures of early modern women's writing

- Pender, Patricia, Smith, Rosalind

Patterns of print: women's textual patronage in the "early" early modern period

- Pender, Patricia

Reading Bale reading Anne Askew: contested collaboration in The Examinations

- Pender, Patricia

Rethinking authorial reluctance in the paratexts to Anne Bradstreet's poetry

- Pender, Patricia

The Critical Fortunes of the Tenth Muse: Canonicity and its Discontents

- Pender, Patricia