https://nova.newcastle.edu.au/vital/access/manager/Index en-au 5 https://nova.newcastle.edu.au/vital/access/manager/Repository/uon:6328 Wed 24 Jul 2013 23:00:38 AEST ]]> https://nova.newcastle.edu.au/vital/access/manager/Repository/uon:4202 Wed 24 Jul 2013 22:19:16 AEST ]]> https://nova.newcastle.edu.au/vital/access/manager/Repository/uon:7299 and WLSCM. I argue that performers have been the major protagonists in the recovery of the cantata genre in modern times. Three questions are considered. First, why have Alessandro Scarlatti’s cantatas not received a comprehensive edition, whereas other repertoires from this period (e.g. Vivaldi’s concerti) have been edited and performed many times? Second, is there a viable alternative to the complete edition as a means of disseminating this repertoire? Finally, I consider the role of repeat performances, and interpretations of a specific work by different performers, in creating a concept of the cantata repertoire.]]> Wed 11 Apr 2018 11:07:23 AEST ]]> https://nova.newcastle.edu.au/vital/access/manager/Repository/uon:2462 Sat 24 Mar 2018 08:27:47 AEDT ]]> https://nova.newcastle.edu.au/vital/access/manager/Repository/uon:10188 Sat 24 Mar 2018 08:12:30 AEDT ]]> https://nova.newcastle.edu.au/vital/access/manager/Repository/uon:10851 Mon 16 Sep 2024 12:37:15 AEST ]]> https://nova.newcastle.edu.au/vital/access/manager/Repository/uon:4204 Mon 09 Sep 2024 10:08:26 AEST ]]>