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(En)closures: intangible histories of the suitcase and hotel room |
Chapman, Michael; Jozefiak, Sarah; Ostwald, Michael J. |
2011 |
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Cardboard architecture/paper architecture: rethinking the load-bearing capacity of the model |
Ostwald, Michael J.; Chapman, Michael; Tucker, Chris |
2010 |
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The erotics of fieldwork in Learning from Las Vegas |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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Ostwald-Tucker-Chapman |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2010 |
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The politics of labour: dissent and dissensus in the architecture of Brodsky and Utkin |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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Utopian voyages in the postpolitical era: analyzing the visions of the Russian paper architects |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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Curated desires: film photography and the visual transformation of urban space in surrealism |
Chapman, Michael; Ostwald, Michael J. |
2009 |
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Disfigured ground: architectural space and representation in the creative practices of Dada and Surrealism |
Chapman, Michael; Ostwald, Michael J. |
2009 |
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Psychic automatism and nonlinear dynamics: surrealism and science in the architecture of Coop Himmelblau |
Ostwald, Michael J.; Chapman, Michael |
2009 |
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Unstable ground: scientific frictions in the analytical techniques of learning from Las Vegas |
Chapman, Michael; Ostwald, Michael J. |
2009 |
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Fore and against: science, aesthetics and the visual complexities of figure-ground in urban analysis |
Chapman, Michael; Ostwald, Michael J. |
2007 |
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Homosexuality and the Star Hotel: exploring the traces of queer space in Newcastle in the 1970s |
Tucker, Chris; Chapman, Michael; Ostwald, Michael J. |
2007 |
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Prosthesis, technology and trauma in the machinist fetishes of Oma's Villa at Bordeaux |
Chapman, Michael; Ostwald, Michael J. |
2007 |
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Residue: architecture as a condition of loss |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2007 |
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Architecture, music and the crowd in the Pink Floyd's The Wall |
Ostwald, Michael J.; Chapman, Michael |
2006 |
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