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Residue: architecture as a condition of loss |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2007 |
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Shifting dimensions: the architectural model in history |
Morrison, Tessa; Ostwald, Michael J. |
2007 |
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Shifting dimensions: the architectural model in history |
Morrison, Tessa; Ostwald, Michael J. |
2007 |
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Using algorithms to analyse the visual properties of a building's style |
Tucker, Chris; Ostwald, Michael J. |
2007 |
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The visual qualities of liveable streets |
Tucker, Chris; Ostwald, Michael J.; Marshall, Josh; Chalup, Stephan |
2007 |
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Architecture, music and the crowd in the Pink Floyd's The Wall |
Ostwald, Michael J.; Chapman, Michael |
2006 |
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The architecture of the new Baroque : a comparative study of the historic and new Baroque movements in architecture |
Ostwald, Michael J. |
2006 |
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Automated architecture: violence and nihilism as strategies of 'making' in the tactics of Coop Himmelb(l)au |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Circularity, power and the technologies of seeing: panopticism and its antithesis as spatial archetypes of visual contraception in space |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Deconstructing Las Vegas: scientific frictions in Venturi, Scott Brown and Izenour |
Chapman, Michael; Ostwald, Michael J.; Tucker, Chris |
2006 |
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Dwelling and city |
Tucker, Chris; Ostwald, Michael J. |
2006 |
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Ethics and geometry: computational transformations and the curved surface in architecture |
Ostwald, Michael J. |
2006 |
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Migration, power and the line: ceremonies of collective transgression in the spatial archetypes of Elias Canetti |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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A new look at design thinking: research in progress |
Cowdroy, Rob; Ostwald, Michael J.; Williams, Anthony |
2006 |
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Privileging the sketch: coop himmelblau, nonlinear dynamics and the psychogram |
Ostwald, Michael J.; Chapman, Michael |
2006 |
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List View
