 |
Juan Bautista Villalpando’s Ezechielem Explanationes: a sixteenth-century architectural text |
Villalpando, Juan Bautista; Morrison, Tessa |
2009 |
—
|
|
 |
On the work of media artist Cida de Aragon: urban migration, surveillance and public space |
Lehmann, Steffen |
2009 |
—
|
|
 |
Orthodox church plans and Louis Kahn's idiom |
Fleming, Steven |
2009 |
—
|
|
 |
Politics and the cultural centre: representations of Australian Aboriginal totems at Brambuk |
Mallie, Tara; Ostwald, Michael J. |
2009 |
—
|
|
 |
The professional accreditation of architecture programs: academics' perceptions |
Ostwald, Michael J.; Williams, Anthony; Fuller, Sascha |
2009 |
—
|
|
 |
Psychic automatism and nonlinear dynamics: surrealism and science in the architecture of Coop Himmelblau |
Ostwald, Michael J.; Chapman, Michael |
2009 |
|
|
 |
Research in scientific Feng Shui and the built environment |
Mak, Michael Y.; So, Albert T. |
2009 |
—
|
|
 |
Temporary and permanent: Cida de Aragon |
Philp, Angela; Lehmann, Steffen |
2009 |
—
|
|
 |
Visual qualities in early modern and late modern architecture: a mathematical comparison of formal complexity in the houses of Gray and Sejima |
Ostwald, Michael J.; Vaughan, Josephine |
2009 |
—
|
|
 |
Architecture as concept: the case of the artist's model |
Ostwald, Michael J.; Morrison, Tessa |
2008 |
—
|
|
 |
Characteristic visual complexity: fractal dimensions in the architecture of Frank Lloyd Wright and Le Corbusier |
Ostwald, Michael J.; Vaughan, Josephine; Tucker, Chris |
2008 |
—
|
|
 |
Enclosed garden and terrace: using landscape ideas to review two recent Australian houses |
Roberts, John |
2008 |
|
|
 |
A face-house paradigm for architectural scene analysis |
Chalup, Stephan K.; Hong, Kenny; Ostwald, Michael J. |
2008 |
—
|
|
 |
Introduction: modelling ideas and the power of representation |
Ostwald, Michael J. |
2008 |
—
|
|
 |
Messages sans codes: colossi, laser scans and the form-makers' angst |
Fleming, Steven |
2008 |
|
|