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A face-house paradigm for architectural scene analysis |
Chalup, Stephan K.; Hong, Kenny; Ostwald, Michael J. |
2008 |
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Migration, power and the line: ceremonies of collective transgression in the spatial archetypes of Elias Canetti |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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The underbelly of an architect: discursive practices in the architecture of Douglas Darden |
Chapman, Michael; Ostwald, Michael J. |
2004 |
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Semiotics, interpretation & political resistance in architecture |
Chapman, Michael; Ostwald, Michael J.; Tucker, Chris |
2004 |
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Strategies against architecture: traces of deconstruction in the spatial interrogations of Einsturzende Neubauten |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Dialectics of the crit: from an oracular to a diatectical framework |
Fleming, Steven; Ostwald, Michael J. |
2005 |
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Ignored or repressed: reconstructing the missing interior in 'Learning from Las Vegas' |
Ostwald, Michael J. |
2010 |
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Symbols of evolution, signs of regression: Mies and the politics of geometry |
Ostwald, Michael J. |
2003 |
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Cinematic views: John Lautner's architecture and masculine spatial types |
Ostwald, Michael J.; Chapman, Michael |
2004 |
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Measuring architecture: questioning the application of non-linear mathematics in the analysis of historic buildings |
Ostwald, Michael J.; Tucker, Chris |
2007 |
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Architecture, music and the crowd in the Pink Floyd's The Wall |
Ostwald, Michael J.; Chapman, Michael |
2006 |
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Issues confronting architectural education in Australia |
Williams, Anthony; Ostwald, Michael J.; Fuller, Sascha Rohr |
2007 |
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