 |
The erotics of fieldwork in Learning from Las Vegas |
Ostwald, Michael J.; Chapman, Michael |
2010 |
—
|
|
 |
Ostwald-Tucker-Chapman |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2010 |
—
|
|
 |
Psychic automatism and nonlinear dynamics: surrealism and science in the architecture of Coop Himmelblau |
Ostwald, Michael J.; Chapman, Michael |
2009 |
|
|
 |
Residue: architecture as a condition of loss |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2007 |
—
|
|
 |
Architecture, music and the crowd in the Pink Floyd's The Wall |
Ostwald, Michael J.; Chapman, Michael |
2006 |
—
|
|
 |
Migration, power and the line: ceremonies of collective transgression in the spatial archetypes of Elias Canetti |
Chapman, Michael; Ostwald, Michael J. |
2006 |
|
|
 |
Strategies against architecture: traces of deconstruction in the spatial interrogations of Einsturzende Neubauten |
Chapman, Michael; Ostwald, Michael J. |
2006 |
—
|
|
 |
Cinematic views: John Lautner's architecture and masculine spatial types |
Ostwald, Michael J.; Chapman, Michael |
2004 |
|
|
 |
Semiotics, interpretation & political resistance in architecture |
Chapman, Michael; Ostwald, Michael J.; Tucker, Chris |
2004 |
|
|
 |
The underbelly of an architect: discursive practices in the architecture of Douglas Darden |
Chapman, Michael; Ostwald, Michael J. |
2004 |
|
|
 |
Traces of Nietzschean philosophy in the early architectural speculations of Lebbeus Woods |
Ostwald, Michael J.; Chapman, Michael |
2003 |
—
|
|
List View
