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Anthropocentric biocybernetic computing for analysing the architectural design of house facades and cityscapes |
Chalup, Stephan K.; Ostwald, Michael J. |
2009 |
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Architecture as concept: the case of the artist's model |
Ostwald, Michael J.; Morrison, Tessa |
2008 |
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Architecture, music and the crowd in the Pink Floyd's The Wall |
Ostwald, Michael J.; Chapman, Michael |
2006 |
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The architecture of the new Baroque : a comparative study of the historic and new Baroque movements in architecture |
Ostwald, Michael J. |
2006 |
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Characteristic visual complexity: fractal dimensions in the architecture of Frank Lloyd Wright and Le Corbusier |
Ostwald, Michael J.; Vaughan, Josephine; Tucker, Chris |
2008 |
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Cinematic views: John Lautner's architecture and masculine spatial types |
Ostwald, Michael J.; Chapman, Michael |
2004 |
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Dancing with the machine |
Ostwald, Michael J. |
2007 |
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Dialectics of the crit: from an oracular to a diatectical framework |
Fleming, Steven; Ostwald, Michael J. |
2005 |
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Drawing the line: informal learning and the architecture of the exhibition |
Ostwald, Michael J. |
2010 |
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Draw the line |
Ostwald, Michael J. |
2009 |
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The erotics of fieldwork in Learning from Las Vegas |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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A face-house paradigm for architectural scene analysis |
Chalup, Stephan K.; Hong, Kenny; Ostwald, Michael J. |
2008 |
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Fractal architecture: knowledge formation within and between architecture and the sciences of complexity |
Ostwald, Michael J. |
2009 |
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Geography, culture and the construction of identity |
Ostwald, Michael J.; Fleming, Steven |
2007 |
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Ignored or repressed: reconstructing the missing interior in 'Learning from Las Vegas' |
Ostwald, Michael J. |
2010 |
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List View
