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Geography, culture and the construction of identity |
Ostwald, Michael J.; Fleming, Steven |
2007 |
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Symbols of evolution, signs of regression: Mies and the politics of geometry |
Ostwald, Michael J. |
2003 |
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Dialectics of the crit: from an oracular to a diatectical framework |
Fleming, Steven; Ostwald, Michael J. |
2005 |
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Migration, power and the line: ceremonies of collective transgression in the spatial archetypes of Elias Canetti |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Cinematic views: John Lautner's architecture and masculine spatial types |
Ostwald, Michael J.; Chapman, Michael |
2004 |
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The underbelly of an architect: discursive practices in the architecture of Douglas Darden |
Chapman, Michael; Ostwald, Michael J. |
2004 |
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Semiotics, interpretation & political resistance in architecture |
Chapman, Michael; Ostwald, Michael J.; Tucker, Chris |
2004 |
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Measuring architecture: questioning the application of non-linear mathematics in the analysis of historic buildings |
Ostwald, Michael J.; Tucker, Chris |
2007 |
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Psychic automatism and nonlinear dynamics: surrealism and science in the architecture of Coop Himmelblau |
Ostwald, Michael J.; Chapman, Michael |
2009 |
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Ignored or repressed: reconstructing the missing interior in 'Learning from Las Vegas' |
Ostwald, Michael J. |
2010 |
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On the value of labour: rethinking the physical model and questioning the CAM/CAD model |
Ostwald, Michael J. |
2010 |
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The erotics of fieldwork in Learning from Las Vegas |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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A face-house paradigm for architectural scene analysis |
Chalup, Stephan K.; Hong, Kenny; Ostwald, Michael J. |
2008 |
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Characteristic visual complexity: fractal dimensions in the architecture of Frank Lloyd Wright and Le Corbusier |
Ostwald, Michael J.; Vaughan, Josephine; Tucker, Chris |
2008 |
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Architecture as concept: the case of the artist's model |
Ostwald, Michael J.; Morrison, Tessa |
2008 |
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List View
