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A face-house paradigm for architectural scene analysis |
Chalup, Stephan K.; Hong, Kenny; Ostwald, Michael J. |
2008 |
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Anthropocentric biocybernetic computing for analysing the architectural design of house facades and cityscapes |
Chalup, Stephan K.; Ostwald, Michael J. |
2009 |
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Migration, power and the line: ceremonies of collective transgression in the spatial archetypes of Elias Canetti |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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The underbelly of an architect: discursive practices in the architecture of Douglas Darden |
Chapman, Michael; Ostwald, Michael J. |
2004 |
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Semiotics, interpretation & political resistance in architecture |
Chapman, Michael; Ostwald, Michael J.; Tucker, Chris |
2004 |
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Strategies against architecture: traces of deconstruction in the spatial interrogations of Einsturzende Neubauten |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Dialectics of the crit: from an oracular to a diatectical framework |
Fleming, Steven; Ostwald, Michael J. |
2005 |
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Politics and the cultural centre: representations of Australian Aboriginal totems at Brambuk |
Mallie, Tara; Ostwald, Michael J. |
2009 |
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Shifting dimensions: the architectural model in history |
Morrison, Tessa; Ostwald, Michael J. |
2007 |
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Shifting dimensions: the architectural model in history |
Morrison, Tessa; Ostwald, Michael J. |
2007 |
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Ignored or repressed: reconstructing the missing interior in 'Learning from Las Vegas' |
Ostwald, Michael J. |
2010 |
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On the value of labour: rethinking the physical model and questioning the CAM/CAD model |
Ostwald, Michael J. |
2010 |
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The erotics of fieldwork in Learning from Las Vegas |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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Characteristic visual complexity: fractal dimensions in the architecture of Frank Lloyd Wright and Le Corbusier |
Ostwald, Michael J.; Vaughan, Josephine; Tucker, Chris |
2008 |
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Architecture as concept: the case of the artist's model |
Ostwald, Michael J.; Morrison, Tessa |
2008 |
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List View
