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Audience slaves: architecture and medium in El Lissitzky's Pressa installation |
Chapman, Michael |
2011 |
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Disfigured ground: architectures of Dada and surrealism |
Chapman, Michael |
2011 |
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Outmodernisms: industrialization and the forgotten histories of the avant garde |
Chapman, Michael |
2011 |
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Agency and automatism: some strategies of irresponsibility in architecture |
Chapman, Michael |
2010 |
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The erotics of fieldwork in Learning from Las Vegas |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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Ostwald-Tucker-Chapman |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2010 |
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Psychic automatism and nonlinear dynamics: surrealism and science in the architecture of Coop Himmelblau |
Ostwald, Michael J.; Chapman, Michael |
2009 |
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Architecture and Hermaphroditism: gender ambiguity and the forbidden antecedents of architectural form |
Chapman, Michael |
2007 |
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Residue: architecture as a condition of loss |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2007 |
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Architecture, music and the crowd in the Pink Floyd's The Wall |
Ostwald, Michael J.; Chapman, Michael |
2006 |
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Migration, power and the line: ceremonies of collective transgression in the spatial archetypes of Elias Canetti |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Strategies against architecture: traces of deconstruction in the spatial interrogations of Einsturzende Neubauten |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Cinematic views: John Lautner's architecture and masculine spatial types |
Ostwald, Michael J.; Chapman, Michael |
2004 |
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Semiotics, interpretation & political resistance in architecture |
Chapman, Michael; Ostwald, Michael J.; Tucker, Chris |
2004 |
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The underbelly of an architect: discursive practices in the architecture of Douglas Darden |
Chapman, Michael; Ostwald, Michael J. |
2004 |
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List View
