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Alessandro Scarlatti

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Date: 2015
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.13/1336792
Description: The VI Concertos in Seven Parts published by Benjamin Cooke under Alessandro Scarlatti's name in 1740 have long been suspected of being either arrangements or works by a different composer. Clo... More
Reviewed: Reviewed
Creators: Halton, Rosalind
Date: 2013
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.13/1320582
Description: The year is 1711, the author is the celebratedEnglish essayist and critic Joseph Addison, and his subject is Italian opera.What would he have made of the cantata genre – an evenmore eccentric formof e... More
Creators: Halton, Rosalind
Date: 2012
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.13/930488
Description: The Orpheus myth is central to the symbolic representation of the power of music, synonymous with the birth of opera itself. In his wide-ranging article “Orpheus, Ovid and Opera,” Frederick Sternfeld ... More
Full Text: Full Text
Reviewed: Reviewed
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Creators: Halton, Rosalind
Date: 2012
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.13/1058564
Description: The development of divided bass part scoring is a notable part of Scarlatti's orchestral treatment from the first decade of the eighteenth century. It is possible that this richness of detail in bass ... More
Date: 2011
Language: eng
Resource Type: book
Identifier: http://hdl.handle.net/1959.13/1053588
Description: The term serenata a voce sola, until recently subsumed within the genre of the cantata, was a title used with assurance by poets, composers, and scribes of the seventeenth century. Found in sources by... More
Creators: Halton, Rosalind
Date: 2011
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.13/1325133
Description: When Alessandro Scarlatti addressed Ferdinando de’ Medici on the subject of his approach to opera composition, it was not in the tone of a composer who would easily give himself to the collaborative e... More
Creators: Halton, Rosalind
Date: 2009
Language: eng
Resource Type: book
Identifier: http://hdl.handle.net/1959.13/41599
Description: The Italian serenata is a genre closely tied to locality and occasion. One of the most attractive serenatas of Alessandro Scarlatti, Venere, Adone, et Amore, was composed for a festive evening in the ... More
Date: 2009
Language: eng
Resource Type: conference paper
Identifier: http://hdl.handle.net/1959.13/44855
Description: After an initial study (Harper, 2007) revealed a high crux-phi incidence in selected Scarlatti sonatas, Harper and Henriques, (2008)) examined ten recorded performances of K. 380 from the perspective ... More
Full Text: Full Text
Reviewed: Reviewed
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Creators: Halton, Rosalind
Date: 2008
Resource Type: journal article
Identifier: uon:5644
Description: John Byrt's article ‘Elements of rhythmic inequality in the arias of Alessandro Scarlatti and Handel’ (Early Music, xxxv/4 (2007), pp.609–26) presents a welcome and long overdue discussion of a recurr... More
Creators: Halton, Rosalind
Date: 2007
Language: eng
Resource Type: conference paper
Identifier: http://hdl.handle.net/1959.13/807075
Description: My aim in this paper is to suggest why the Italian baroque cantata is still regarded as a neglected genre, despite the growing availability of editions and performances on CD. The paper is based on my... More
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Creators: Halton, Rosalind
Date: 2007
Language: eng
Resource Type: sound
Identifier: http://hdl.handle.net/1959.13/35952
Description: ‘Venere, Adone e Amore: Serenatas and Cantatas of Alessandro Scarlatti’ represents the culmination of 20 years’ performance research and study of primary sources of Scarlatti’s secular vocal music. Pr... More
Creators: Halton, Rosalind
Date: 2006
Language: eng
Resource Type: interactive resource
Identifier: http://hdl.handle.net/1959.13/35943
Description: Alessandro Scarlatti's setting of Lucretia Romana (Hanley 377) has been dated to 16 September, 1688. The following detail is given by Edwin Hanley: “On the basis of documents in the Doria-Pamfili arch... More
Creators: Halton, Rosalind
Date: 2004
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.13/29202
Description: Night scenes form an important element in the output of Alessandro Scarlatti, whether in the light-hearted genre of the serenata, or in the more serious context of the cantata. Some recurrent types of... More
Creators: Halton, Rosalind
Date: 2003
Resource Type: conference paper
Identifier: uon:3069
Description: The Italian Serenata is a genre tied more than most to locality and occasion. One of the most attractive serenatas of Alessandro Scarlatti, Venere, Adone, and Amore was composed for a festive evening ... More
Full Text: Full Text
Reviewed: Reviewed
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