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Halton, Rosalind

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Date: 2015
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.13/1336792
Description: The VI Concertos in Seven Parts published by Benjamin Cooke under Alessandro Scarlatti's name in 1740 have long been suspected of being either arrangements or works by a different composer. Clo... More
Reviewed: Reviewed
Creators: Halton, Rosalind
Date: 2015
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.13/1330557
Description: Among Alessandro Scarlatti's instrumental compositions, the VI Concerti in Seven Parts hold a uniquely mysterious position. Published in London 15 years after the composer's death, their connection wi... More
Reviewed: Reviewed
Creators: Halton, Rosalind
Date: 2013
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.13/1320582
Description: The year is 1711, the author is the celebratedEnglish essayist and critic Joseph Addison, and his subject is Italian opera.What would he have made of the cantata genre – an evenmore eccentric formof e... More
Creators: Halton, Rosalind
Date: 2013
Language: eng
Resource Type: event
Identifier: http://hdl.handle.net/1959.13/1059737
Description: The broadcast performance premieres excerpts from Italian baroque pieces alongside well-known works of Henry Purcell and Domenico Scarlatti. Arias from larger works were chosen to introduce them to a ... More
Reviewed: Reviewed
Creators: Halton, Rosalind
Date: 2012
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.13/930488
Description: The Orpheus myth is central to the symbolic representation of the power of music, synonymous with the birth of opera itself. In his wide-ranging article “Orpheus, Ovid and Opera,” Frederick Sternfeld ... More
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Reviewed: Reviewed
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Creators: Halton, Rosalind
Date: 2012
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.13/1058564
Description: The development of divided bass part scoring is a notable part of Scarlatti's orchestral treatment from the first decade of the eighteenth century. It is possible that this richness of detail in bass ... More
Creators: Halton, Rosalind
Date: 2012
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.13/1053353
Description: The festival of five concerts celebrating the music of Georg Frederic Handel, given in the grandest music venues of London between 26 May and 5 June 1784, has been described as "the most important sin... More
Date: 2011
Language: eng
Resource Type: book
Identifier: http://hdl.handle.net/1959.13/1053588
Description: The term serenata a voce sola, until recently subsumed within the genre of the cantata, was a title used with assurance by poets, composers, and scribes of the seventeenth century. Found in sources by... More
Date: 2011
Language: eng
Resource Type: event
Identifier: http://hdl.handle.net/1959.13/1059681
Description: Compared with opera, the solo cantata of the Italian baroque is a genre apparently born in solitary confinement. The editor’s task an equally lonely one. But decades of transcribing and performing pre... More
Reviewed: Reviewed
Creators: Halton, Rosalind
Date: 2011
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.13/1049109
Description: The music of Nicola Porpora is deservedly famous for the composer’s mastery of vocal idiom. The subject of this paper, however, is the significance of Porpora’s vocal music in relation to the voice of... More
Creators: Halton, Rosalind
Date: 2011
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.13/1325133
Description: When Alessandro Scarlatti addressed Ferdinando de’ Medici on the subject of his approach to opera composition, it was not in the tone of a composer who would easily give himself to the collaborative e... More
Creators: Halton, Rosalind
Date: 2010
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.13/927592
Description: It would be difficult to think of a more remarkable father-and-son relationship in Western music history than that of Alessandro and Domenico Scarlatti. The complex and precarious psychology of this r... More
Creators: Halton, Rosalind
Date: 2009
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.13/41600
Description: The transmission of Alessandro Scarlatti’s works is bound up with issues of locality and identity, stemming from the composer’s ambiguous relationship with the musical traditions of Rome and Naples. T... More
Creators: Halton, Rosalind
Date: 2009
Language: eng
Resource Type: book
Identifier: http://hdl.handle.net/1959.13/41599
Description: The Italian serenata is a genre closely tied to locality and occasion. One of the most attractive serenatas of Alessandro Scarlatti, Venere, Adone, et Amore, was composed for a festive evening in the ... More
Date: 2009
Language: eng
Resource Type: conference paper
Identifier: http://hdl.handle.net/1959.13/44855
Description: After an initial study (Harper, 2007) revealed a high crux-phi incidence in selected Scarlatti sonatas, Harper and Henriques, (2008)) examined ten recorded performances of K. 380 from the perspective ... More
Full Text: Full Text
Reviewed: Reviewed
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