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Draw the line |
Ostwald, Michael J. |
2009 |
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Politics and the cultural centre: representations of Australian Aboriginal totems at Brambuk |
Mallie, Tara; Ostwald, Michael J. |
2009 |
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Psychic automatism and nonlinear dynamics: surrealism and science in the architecture of Coop Himmelblau |
Ostwald, Michael J.; Chapman, Michael |
2009 |
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A quantitative comparison between the formal complexity of Le Corbusier's pre-modern (1905-1912) and early modern (1922-1928) architecture |
Vaughan, Josephine; Ostwald, Michael J. |
2009 |
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Unstable ground: scientific frictions in the analytical techniques of learning from Las Vegas |
Chapman, Michael; Ostwald, Michael J. |
2009 |
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Ranciere and the metapolitical framing of architecture: reconstructing Brodsky and Utkin's voyage |
Ostwald, Michael J. |
2007 |
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Automated architecture: violence and nihilism as strategies of 'making' in the tactics of Coop Himmelb(l)au |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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The fort |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2005 |
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Architectural research methods (book review) |
London, Kerry; Ostwald, Michael J. |
2004 |
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Freedom of form: ethics and aesthetics in digital architecture |
Ostwald, Michael J. |
2004 |
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Good urban design: accidental, incremental or intentional? |
Ostwald, Michael J. |
2004 |
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Traces of Nietzschean philosophy in the early architectural speculations of Lebbeus Woods |
Ostwald, Michael J.; Chapman, Michael |
2003 |
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List View
