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Automated architecture: violence and nihilism as strategies of 'making' in the tactics of Coop Himmelb(l)au |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Simulating pareidolia of faces for architectural image analysis |
Chalup, Stephan K.; Hong, Kenny; Ostwald, Michael J. |
2010 |
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Psychic automatism and nonlinear dynamics: surrealism and science in the architecture of Coop Himmelblau |
Ostwald, Michael J.; Chapman, Michael |
2009 |
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Ethics and the auto-generative design process |
Ostwald, Michael J. |
2010 |
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The politics of fractal geometry in Russian paper architecture: the intelligent market and the cube of infinity |
Ostwald, Michael J. |
2010 |
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Using fractal analysis to compare the characteristic complexity of nature and architecture: re-examining the evidence |
Vaughan, Josephine; Ostwald, Michael J. |
2010 |
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A justified plan graph analysis of the early houses (1975-1982) of Glenn Murcutt |
Ostwald, Michael J. |
2011 |
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The mathematics of spatial configuration: revisiting, revising and critiquing justified plan graph theory |
Ostwald, Michael J. |
2011 |
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Traces of Nietzschean philosophy in the early architectural speculations of Lebbeus Woods |
Ostwald, Michael J.; Chapman, Michael |
2003 |
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Ranciere and the metapolitical framing of architecture: reconstructing Brodsky and Utkin's voyage |
Ostwald, Michael J. |
2007 |
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Good urban design: accidental, incremental or intentional? |
Ostwald, Michael J. |
2004 |
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The fort |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2005 |
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Architectural research methods (book review) |
London, Kerry; Ostwald, Michael J. |
2004 |
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Freedom of form: ethics and aesthetics in digital architecture |
Ostwald, Michael J. |
2004 |
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Politics and the cultural centre: representations of Australian Aboriginal totems at Brambuk |
Mallie, Tara; Ostwald, Michael J. |
2009 |
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