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Ethics and geometry: computational transformations and the curved surface in architecture |
Ostwald, Michael J. |
2006 |
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Dancing with the machine |
Ostwald, Michael J. |
2007 |
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Geography, culture and the construction of identity |
Ostwald, Michael J.; Fleming, Steven |
2007 |
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Model-making at the limits: conceptual topography and architectural representation |
Ostwald, Michael J. |
2007 |
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Shifting dimensions: the architectural model in history |
Morrison, Tessa; Ostwald, Michael J. |
2007 |
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Shifting dimensions: the architectural model in history |
Morrison, Tessa; Ostwald, Michael J. |
2007 |
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Architecture as concept: the case of the artist's model |
Ostwald, Michael J.; Morrison, Tessa |
2008 |
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Characteristic visual complexity: fractal dimensions in the architecture of Frank Lloyd Wright and Le Corbusier |
Ostwald, Michael J.; Vaughan, Josephine; Tucker, Chris |
2008 |
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Introduction: modelling ideas and the power of representation |
Ostwald, Michael J. |
2008 |
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Curated desires: film photography and the visual transformation of urban space in surrealism |
Chapman, Michael; Ostwald, Michael J. |
2009 |
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Introduction: research in computing, cognition and education: investing in a knowledge-based economy |
Ostwald, Michael J.; Williams, Anthony; Gu, Ning |
2009 |
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The professional accreditation of architecture programs: academics' perceptions |
Ostwald, Michael J.; Williams, Anthony; Fuller, Sascha |
2009 |
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Public space and public art: the metapolitics of aesthetics |
Ostwald, Michael J. |
2009 |
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Student motivation and participation in architectural education: academic staff perceptions |
Fuller, Sascha; Ostwald, Michael J.; Williams, Anthony |
2009 |
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Visual qualities in early modern and late modern architecture: a mathematical comparison of formal complexity in the houses of Gray and Sejima |
Ostwald, Michael J.; Vaughan, Josephine |
2009 |
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List View
