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Drawing the line: informal learning and the architecture of the exhibition |
Ostwald, Michael J. |
2010 |
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The erotics of fieldwork in Learning from Las Vegas |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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On the value of labour: rethinking the physical model and questioning the CAM/CAD model |
Ostwald, Michael J. |
2010 |
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Ostwald-Tucker-Chapman |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2010 |
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The professional accreditation of architecture programs: academics' perceptions |
Ostwald, Michael J.; Williams, Anthony; Fuller, Sascha |
2009 |
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Visual qualities in early modern and late modern architecture: a mathematical comparison of formal complexity in the houses of Gray and Sejima |
Ostwald, Michael J.; Vaughan, Josephine |
2009 |
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Architecture as concept: the case of the artist's model |
Ostwald, Michael J.; Morrison, Tessa |
2008 |
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Characteristic visual complexity: fractal dimensions in the architecture of Frank Lloyd Wright and Le Corbusier |
Ostwald, Michael J.; Vaughan, Josephine; Tucker, Chris |
2008 |
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Introduction: modelling ideas and the power of representation |
Ostwald, Michael J. |
2008 |
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Dancing with the machine |
Ostwald, Michael J. |
2007 |
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Geography, culture and the construction of identity |
Ostwald, Michael J.; Fleming, Steven |
2007 |
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Model-making at the limits: conceptual topography and architectural representation |
Ostwald, Michael J. |
2007 |
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Shifting dimensions: the architectural model in history |
Morrison, Tessa; Ostwald, Michael J. |
2007 |
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Shifting dimensions: the architectural model in history |
Morrison, Tessa; Ostwald, Michael J. |
2007 |
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List View
