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Audience slaves: architecture and medium in El Lissitzky's Pressa installation |
Chapman, Michael |
2011 |
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Blurred edges: multidisciplinary structures of management in Diller, Scofidio + Renfro |
Chapman, Michael; Awad, Ramsey |
2011 |
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(En)closures: intangible histories of the suitcase and hotel room |
Chapman, Michael; Jozefiak, Sarah; Ostwald, Michael J. |
2011 |
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Outmodernisms: industrialization and the forgotten histories of the avant garde |
Chapman, Michael |
2011 |
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The politics of labour: dissent and dissensus in the architecture of Brodsky and Utkin |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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Space cadets: imaginary trajectories in Lissitzky's Pressa installation |
Chapman, Michael; Lowe, Derren |
2010 |
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Utopian voyages in the postpolitical era: analyzing the visions of the Russian paper architects |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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Alien doubles: magic, myth and taboo in the spatial experiments of Frederick Kiesler |
Chapman, Michael |
2009 |
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Architecture and Hermaphroditism: gender ambiguity and the forbidden antecedents of architectural form |
Chapman, Michael |
2007 |
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Fore and against: science, aesthetics and the visual complexities of figure-ground in urban analysis |
Chapman, Michael; Ostwald, Michael J. |
2007 |
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Homosexuality and the Star Hotel: exploring the traces of queer space in Newcastle in the 1970s |
Tucker, Chris; Chapman, Michael; Ostwald, Michael J. |
2007 |
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Prosthesis, technology and trauma in the machinist fetishes of Oma's Villa at Bordeaux |
Chapman, Michael; Ostwald, Michael J. |
2007 |
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Architecture, music and the crowd in the Pink Floyd's The Wall |
Ostwald, Michael J.; Chapman, Michael |
2006 |
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Circularity, power and the technologies of seeing: panopticism and its antithesis as spatial archetypes of visual contraception in space |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Deconstructing Las Vegas: scientific frictions in Venturi, Scott Brown and Izenour |
Chapman, Michael; Ostwald, Michael J.; Tucker, Chris |
2006 |
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