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Laying siege to the Stadtkrone: Nietzsche, Taut and the vision of a cultural aristocracy |
Chapman, Michael; Ostwald, Michael J. |
2002 |
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Fortifying Sisyphus, or the architectural machinery of modern punishment (1820-1870) |
Chapman, Michael; Ostwald, Michael J. |
2003 |
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Traces of Nietzschean philosophy in the early architectural speculations of Lebbeus Woods |
Ostwald, Michael J.; Chapman, Michael |
2003 |
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Cinematic views: John Lautner's architecture and masculine spatial types |
Ostwald, Michael J.; Chapman, Michael |
2004 |
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Semiotics, interpretation & political resistance in architecture |
Chapman, Michael; Ostwald, Michael J.; Tucker, Chris |
2004 |
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The underbelly of an architect: discursive practices in the architecture of Douglas Darden |
Chapman, Michael; Ostwald, Michael J. |
2004 |
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Douglas Darden's Composite Ideogram as a technique of architectural composition |
Chapman, Michael; Ostwald, Michael J. |
2005 |
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The fort |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2005 |
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Paper architecure: design thinking and research |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2005 |
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Architecture, music and the crowd in the Pink Floyd's The Wall |
Ostwald, Michael J.; Chapman, Michael |
2006 |
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Automated architecture: violence and nihilism as strategies of 'making' in the tactics of Coop Himmelb(l)au |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Circularity, power and the technologies of seeing: panopticism and its antithesis as spatial archetypes of visual contraception in space |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Deconstructing Las Vegas: scientific frictions in Venturi, Scott Brown and Izenour |
Chapman, Michael; Ostwald, Michael J.; Tucker, Chris |
2006 |
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Migration, power and the line: ceremonies of collective transgression in the spatial archetypes of Elias Canetti |
Chapman, Michael; Ostwald, Michael J. |
2006 |
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Privileging the sketch: coop himmelblau, nonlinear dynamics and the psychogram |
Ostwald, Michael J.; Chapman, Michael |
2006 |
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