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Audience slaves: architecture and medium in El Lissitzky's Pressa installation |
Chapman, Michael |
2011 |
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Blurred edges: multidisciplinary structures of management in Diller, Scofidio + Renfro |
Chapman, Michael; Awad, Ramsey |
2011 |
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Disfigured ground: architectures of Dada and surrealism |
Chapman, Michael |
2011 |
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(En)closures: intangible histories of the suitcase and hotel room |
Chapman, Michael; Jozefiak, Sarah; Ostwald, Michael J. |
2011 |
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Outmodernisms: industrialization and the forgotten histories of the avant garde |
Chapman, Michael |
2011 |
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Agency and automatism: some strategies of irresponsibility in architecture |
Chapman, Michael |
2010 |
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Cardboard architecture/paper architecture: rethinking the load-bearing capacity of the model |
Ostwald, Michael J.; Chapman, Michael; Tucker, Chris |
2010 |
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The erotics of fieldwork in Learning from Las Vegas |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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Local produce: Some 'transnational' currents in materiality, art and economy |
Chapman, Michael; Tipping, Richard Kelly |
2010 |
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Ostwald-Tucker-Chapman |
Ostwald, Michael J.; Tucker, Chris; Chapman, Michael |
2010 |
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The politics of labour: dissent and dissensus in the architecture of Brodsky and Utkin |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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Space cadets: imaginary trajectories in Lissitzky's Pressa installation |
Chapman, Michael; Lowe, Derren |
2010 |
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Utopian voyages in the postpolitical era: analyzing the visions of the Russian paper architects |
Ostwald, Michael J.; Chapman, Michael |
2010 |
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Alien doubles: magic, myth and taboo in the spatial experiments of Frederick Kiesler |
Chapman, Michael |
2009 |
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Curated desires: film photography and the visual transformation of urban space in surrealism |
Chapman, Michael; Ostwald, Michael J. |
2009 |
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List View
