Please use this identifier to cite or link to this item: http://hdl.handle.net/1959.13/930379
- Title
- Protean Pepys: writing and subjectivity in the diary of Samuel Pepys
- Author/Creator
-
Barry, Joyce
- Institution
- University of Newcastle. Faculty of Education and Arts, School of Humanities and Social Science
- Description
- Research Doctorate - Doctor of Philosophy (PhD)
- Description
- Samuel Pepys's Diary was left in manuscript at his death and preserved in six volumes in the library of Magdalene College, Cambridge. It is well known as a source of detail and perspective on life in Restoration London. Less attention has been paid to the nature of Pepys's writing in the Diary and the particular way he creates himself as a character in it. The contrast with his self-presentation in other writings, such as his letters, and his NWB, for example, is remarkable. In the letters and the NWB Pepys presents himself as a confident, self-possessed, self-disciplined and consistent person. In the Diary Pepys is protean, a fluid, inconsistent self. At times he shows a boyish, immoderately enthusiastic side. There is a clear separation between the observing self who writes and an unpredictable, surprising, not entirely knowable self who acts and feels. The labile Pepys is especially obvious when he writes about episodes of corrupt behaviour. There are multiple consciousnesses perceptible in the writing: an entity which engages in corruption, another upright entity which is aware of the immoral nature of the activity, and a third which comprehends the other two. In recording his dealings with women other than his wife, Pepys again brings multiple selves into play in his writing, a desiring self which will brook no refusal with lower-class objects of lust and a timid socially aware self which fears exposure by his wife and by society in general. The special quality of Pepys's recording of subjectivity in the Diary is highlighted if it is compared to three other substantial diaries of the Restoration period, those by Bulstrode Whitelocke, John Evelyn and Roger Morrice. There are interesting moments when Whitelocke betrays emotion and reveals uncertainties, but they are rare. Evelyn is a poised, self-assured, well-educated gentleman with a strong sense of an audience. Morrice is focused on politics and matters of religion and writes as a commentator for an imagined public. None of these three can match the extraordinary immediacy of Pepys's Diary, its presentation of moment-to-moment sensation, or the sense that a carefully maintained public "character" is in abeyance. It is often said that Pepys's Diary reveals an inner self and allows unmediated, camera-like access to his experience. This is misleading. The Diary, in contrast to other parts of his overall documentary legacy, functions through the absence of a unitary written self, and presents interplay between multiple shifting selves which do not necessarily have any separate existence beyond writing.
- Relation
- University of Newcastle Research Higher Degree Thesis
- Date
- 2012
- Keyword(s)
-
Samuel Pepys;
diary;
character;
English Restoration
- Resource Type
- thesis
- Rights
- Copyright 2012 Joyce Barry
- Identifier
- http://hdl.handle.net/1959.13/930379
- Language
- eng
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