While the compelling, histrionic heterosexual rhetorics of Buffy the Vampire Slayer have been energetically analyzed, and the overtly lesbian narratives have begun to attract increasing attention, the flawed and often foiled homoerotic desires of the series' ostensibly straight male characters call out for further attention. This paper attempts to queer the character Andrew in Buffy's Season Seven - a queering that may or may not be superfluous depending on your favored viewing positions and pleasures.
Relation
Sexual Rhetoric in the Works of Joss Whedon: New Essays p. 93-105