Please use this identifier to cite or link to this item: http://hdl.handle.net/1959.13/929148

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Title
Speaking to the audience: direct address in the plays of Marlowe and his contemporaries
Author/Creator
Lunney, Ruth
Institution
The University of Newcastle. Faculty of Education & Arts, School of Humanities and Social Science
Description
Sixteenth-century audiences expected to be spoken to. Direct address had always been part of their theatrical experience, always enmeshed in the ways stories were told and spectators made sense of the action. In the transitional years between 1585 and 1595 playwrights experimented with the devices of monologue, soliloquy and aside, none more so than Marlowe, whose plays offered new ways for players to speak to the audience and for the audience to engage with the action on stage. Direct address is yet another aspect of Marlowe's transformation of the popular drama: the refashioning of cultural and, importantly, theatrical traditions that underpin the "mighty line" and the spectacle, the astounding heroes and the disturbing ideas. This essay looks at some of Marlowe's innovations to direct address in the context of earlier and contemporary plays from the 1560s to the mid 1590s. After considering some definitions and surveying the traditional uses of direct address, I argue that Marlowe's plays transformed the soliloquy and liberated the aside. And the revolution began with The Jew of Malta.
Relation
Christopher Marlowe the Craftsman. Lives, Stage, and Page p. 109-122
Relation
http://www.ashgate.com/isbn/9780754669838
Date
2010
Publisher
Ashgate Publishing
Keyword(s)
direct address;  Marlowe;  monologue;  The Jew of Malta
Resource Type
book chapter
Identifier
http://hdl.handle.net/1959.13/929148
Identifier
ISBN:9780754669838
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"Speaking to the audience: direct address in the plays of Marlowe and his contemporaries"
 
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