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Halton, Rosalind

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Introducing the online Early Music Directory of Australia 132 117 6
Antonio Cesti (1623 - 1669). Quanto sete per mi pigri, o momenti!: cantata for soprano and basso continuo 380 338 0
Thomas Roseingrave: complete keyboard music (book review) 304 253 19
Nicola Porpora and the cantabile cello 82 64 0
Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706 436 403 1
Domenico Scarlatti and his cantabile sonatas 338 263 28
Rhythmic inequality (letter) 58 58 0
Performing proportion: crux awareness in Scarlatti interpretation 350 301 23
Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo. 1157 1016 18
Sunday Live: Recital of Italian Baroque Music 35 29 0
Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti 23 19 0
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti 487 424 4
Collaboration and the Italian solo cantata 45 26 11
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo 669 588 3
Alessandro Scarlatti: solo serenatas 57 44 0
From hailstones to hallelujah: the first Handel commemoration 42 35 0
Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706 650 593 1
Scarlatti father and son: a musical relationship 187 165 0
Louis Couperin and friends 505 444 1
Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696) 553 509 3
Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti 130 109 5
Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire 193 167 4
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Halton, Rosalind

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Halton, Rosalind

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