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Halton, Rosalind

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Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706 426 396 1
Scarlatti father and son: a musical relationship 181 161 0
Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire 186 163 4
Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo. 1099 978 17
Domenico Scarlatti and his cantabile sonatas 322 253 28
Thomas Roseingrave: complete keyboard music (book review) 300 251 19
Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti 23 19 0
Rhythmic inequality (letter) 58 58 0
Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706 615 570 1
Nicola Porpora and the cantabile cello 64 54 0
Louis Couperin and friends 493 433 1
Performing proportion: crux awareness in Scarlatti interpretation 327 289 22
Sunday Live: Recital of Italian Baroque Music 31 25 0
Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti 121 103 5
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti 476 415 4
Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696) 527 494 3
Alessandro Scarlatti: solo serenatas 44 36 0
From hailstones to hallelujah: the first Handel commemoration 38 32 0
Collaboration and the Italian solo cantata 40 22 11
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo 649 577 3
Introducing the online Early Music Directory of Australia 120 109 6
Antonio Cesti (1623 - 1669). Quanto sete per mi pigri, o momenti!: cantata for soprano and basso continuo 364 332 0
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Halton, Rosalind

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