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Halton, Rosalind

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Title Hits Visitors Downloads
Performing proportion: crux awareness in Scarlatti interpretation 337 293 23
Scarlatti father and son: a musical relationship 182 162 0
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo 656 582 3
Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo. 1110 987 17
Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706 429 399 1
Sunday Live: Recital of Italian Baroque Music 35 29 0
Collaboration and the Italian solo cantata 40 22 11
Domenico Scarlatti and his cantabile sonatas 326 255 28
Antonio Cesti (1623 - 1669). Quanto sete per mi pigri, o momenti!: cantata for soprano and basso continuo 368 334 0
From hailstones to hallelujah: the first Handel commemoration 38 32 0
Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti 125 106 5
Introducing the online Early Music Directory of Australia 121 110 6
Thomas Roseingrave: complete keyboard music (book review) 300 251 19
Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706 636 584 1
Nicola Porpora and the cantabile cello 69 57 0
Louis Couperin and friends 495 435 1
Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696) 539 501 3
Rhythmic inequality (letter) 58 58 0
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti 484 422 4
Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire 187 164 4
Alessandro Scarlatti: solo serenatas 48 40 0
Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti 23 19 0
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Halton, Rosalind

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Halton, Rosalind

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