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Title Hits Visitors Downloads
Scarlatti father and son: a musical relationship 20 18 0
Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo 183 143 10
Louis Couperin and friends 113 89 1
Rhythmic inequality (letter) 8 7 0
Performing proportion: crux awareness in Scarlatti interpretation 89 72 9
Antonio Cesti (1623 - 1669). Quanto sete per mi pigri, o momenti!: cantata for soprano and basso continuo 79 64 0
Thomas Roseingrave: complete keyboard music (book review) 49 41 2
Domenico Scarlatti and his cantabile sonatas 140 99 19
Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706 85 66 1
Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696) 34 26 3
Introducing the online Early Music Directory of Australia 41 35 3
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti 136 90 4
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo 145 103 3
Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti 21 13 3
Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706 55 49 1
Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire 42 34 3
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Halton, Rosalind

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Halton, Rosalind

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