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Halton, Rosalind

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Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti 100 88 3
Louis Couperin and friends 453 394 1
Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706 377 357 1
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti 452 394 4
Introducing the online Early Music Directory of Australia 102 93 4
Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire 172 150 4
Rhythmic inequality (letter) 51 51 0
Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696) 445 416 3
Domenico Scarlatti and his cantabile sonatas 283 224 25
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo 592 525 3
Scarlatti father and son: a musical relationship 142 128 0
Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706 531 497 1
Performing proportion: crux awareness in Scarlatti interpretation 277 247 19
Antonio Cesti (1623 - 1669). Quanto sete per mi pigri, o momenti!: cantata for soprano and basso continuo 326 297 0
Thomas Roseingrave: complete keyboard music (book review) 268 229 12
From hailstones to hallelujah: the first Handel commemoration 9 9 0
Alessandro Scarlatti: solo serenatas 11 10 0
Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti 11 9 0
Nicola Porpora and the cantabile cello 27 24 0
Collaboration and the Italian solo cantata 30 12 11
Sunday Live: Recital of Italian Baroque Music 16 11 0
Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo. 882 789 14
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