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Halton, Rosalind

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Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti 24 20 0
Thomas Roseingrave: complete keyboard music (book review) 306 254 19
Introducing the online Early Music Directory of Australia 133 120 6
Antonio Cesti (1623 - 1669). Quanto sete per mi pigri, o momenti!: cantata for soprano and basso continuo 391 347 0
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo 690 603 3
Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti 140 113 5
From hailstones to hallelujah: the first Handel commemoration 48 39 0
Scarlatti father and son: a musical relationship 191 166 0
Domenico Scarlatti and his cantabile sonatas 341 266 28
Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706 443 408 1
Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo. 1189 1038 18
Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696) 565 516 3
Performing proportion: crux awareness in Scarlatti interpretation 373 313 23
Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire 197 170 4
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti 498 432 4
Louis Couperin and friends 524 458 1
Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706 666 602 1
Alessandro Scarlatti: solo serenatas 59 44 0
Sunday Live: Recital of Italian Baroque Music 39 33 0
Nicola Porpora and the cantabile cello 89 69 0
Rhythmic inequality (letter) 63 61 0
Collaboration and the Italian solo cantata 47 27 11
Birthday tribute or cantata contest: Alessandro Scarlatti's 'A Voi Che L'Accendeste' 6 4 0
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Halton, Rosalind

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Halton, Rosalind

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