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Halton, Rosalind

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Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti 91 81 3
Louis Couperin and friends 450 391 1
Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706 375 355 1
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti 450 392 4
Introducing the online Early Music Directory of Australia 100 91 4
Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire 171 149 4
Rhythmic inequality (letter) 49 49 0
Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696) 444 415 3
Domenico Scarlatti and his cantabile sonatas 281 222 24
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo 584 517 3
Scarlatti father and son: a musical relationship 140 126 0
Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706 526 492 1
Performing proportion: crux awareness in Scarlatti interpretation 274 244 19
Antonio Cesti (1623 - 1669). Quanto sete per mi pigri, o momenti!: cantata for soprano and basso continuo 324 295 0
Thomas Roseingrave: complete keyboard music (book review) 265 226 12
From hailstones to hallelujah: the first Handel commemoration 5 5 0
Alessandro Scarlatti: solo serenatas 3 3 0
Nicola Porpora and the cantabile cello 24 21 0
Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti 2 2 0
Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo. 865 774 14
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Halton, Rosalind

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Halton, Rosalind

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