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Halton, Rosalind

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Rhythmic inequality (letter) 52 52 0
Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696) 445 416 3
Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo. 939 845 14
Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti 14 11 0
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti 453 395 4
Antonio Cesti (1623 - 1669). Quanto sete per mi pigri, o momenti!: cantata for soprano and basso continuo 335 306 0
Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706 379 359 1
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo 601 534 3
Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706 532 498 1
Domenico Scarlatti and his cantabile sonatas 291 231 26
Louis Couperin and friends 455 396 1
Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire 172 150 4
Introducing the online Early Music Directory of Australia 103 94 4
Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti 100 88 3
Performing proportion: crux awareness in Scarlatti interpretation 286 255 20
From hailstones to hallelujah: the first Handel commemoration 16 15 0
Alessandro Scarlatti: solo serenatas 17 15 0
Sunday Live: Recital of Italian Baroque Music 19 14 0
Nicola Porpora and the cantabile cello 33 30 0
Collaboration and the Italian solo cantata 30 12 11
Scarlatti father and son: a musical relationship 144 130 0
Thomas Roseingrave: complete keyboard music (book review) 270 231 12
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Halton, Rosalind

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