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Halton, Rosalind

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Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706 553 517 1
Nicola Porpora and the cantabile cello 43 38 0
Domenico Scarlatti and his cantabile sonatas 303 239 28
Louis Couperin and friends 471 412 1
Thomas Roseingrave: complete keyboard music (book review) 293 245 19
Performing proportion: crux awareness in Scarlatti interpretation 303 272 21
Antonio Cesti (1623 - 1669). Quanto sete per mi pigri, o momenti!: cantata for soprano and basso continuo 352 321 0
From hailstones to hallelujah: the first Handel commemoration 28 26 0
Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706 398 373 1
Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo. 1028 923 17
Scarlatti father and son: a musical relationship 157 142 0
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo 624 557 3
Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire 181 158 4
Introducing the online Early Music Directory of Australia 111 102 4
Collaboration and the Italian solo cantata 38 20 11
Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti 113 96 5
Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696) 472 441 3
Alessandro Scarlatti: solo serenatas 27 23 0
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti 463 405 4
Sunday Live: Recital of Italian Baroque Music 26 21 0
Rhythmic inequality (letter) 54 54 0
Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti 20 17 0
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Halton, Rosalind

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Halton, Rosalind

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