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Halton, Rosalind

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Title Hits Visitors Downloads
Collaboration and the Italian solo cantata 40 22 11
Antonio Cesti (1623 - 1669). Quanto sete per mi pigri, o momenti!: cantata for soprano and basso continuo 374 339 0
Nicola Porpora and the cantabile cello 66 56 0
Sunday Live: Recital of Italian Baroque Music 32 26 0
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti 482 420 4
Domenico Scarlatti and his cantabile sonatas 324 254 28
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo 660 586 3
Performing proportion: crux awareness in Scarlatti interpretation 331 291 23
Louis Couperin and friends 497 435 1
Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti 122 104 5
Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696) 539 501 3
Scarlatti father and son: a musical relationship 182 162 0
Alessandro Scarlatti: solo serenatas 46 38 0
Introducing the online Early Music Directory of Australia 121 110 6
Rhythmic inequality (letter) 58 58 0
From hailstones to hallelujah: the first Handel commemoration 38 32 0
Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706 429 399 1
Thomas Roseingrave: complete keyboard music (book review) 300 251 19
Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706 636 584 1
Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo. 1106 985 17
Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire 188 165 4
Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti 23 19 0
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Halton, Rosalind

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Halton, Rosalind

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