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Home -Halton, Rosalind
  • Halton, Rosalind. Turchini Edizioni; 2010. Scarlatti father and son: a musical relationship.
  • Halton, Rosalind. Duke University, College of Arts and Sciences; 2012. Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo.
  • Halton, Rosalind. Orpheus Music; 2004. Louis Couperin and friends.
  • Halton, Rosalind. Oxford University Press; 2008. Rhythmic inequality (letter).
  • Harper, Nancy Lee, Henriques, Tomás, Halton, Rosalind. European Association of Conservatoires (AEC); 2009. Performing proportion: crux awareness in Scarlatti interpretation.
  • Halton, Rosalind. Duke University, College of Arts and Sciences; 2007. Antonio Cesti (1623 - 1669). Quanto sete per mi pigri, o momenti!: cantata for soprano and basso continuo.
  • Halton, Rosalind. Musicological Society of Australia; 2008. Thomas Roseingrave: complete keyboard music (book review).
  • Halton, Rosalind. Musicological Society of Australia; 2002. Domenico Scarlatti and his cantabile sonatas.
  • Halton, Rosalind. A-R Editions, Inc.; 2009. Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706.
  • Halton, Rosalind. Ashgate Books; 2009. Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696).
  • Halton, Rosalind. Music Council of Australia; 2005. Introducing the online Early Music Directory of Australia.
  • Halton, Rosalind. ABC Classics; 2007. Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti.
  • Halton, Rosalind. Duke University, College of Arts and Sciences; 2006. Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo.
  • Halton, Rosalind. Cambridge Scholars Press; 2004. Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti.
  • Halton, Rosalind. Music Books New Zealand; 2003. Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706.
  • Halton, Rosalind. University of Aveiro; 2007. Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire.

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